This week, in our last blog post in this series, two more graduates of German Studies talk about their experiences and choices after finishing their studies, which have taken them in very different directions.
I chose French, German, English and History for A Level and was completely torn about which combination to choose for university, until I realised that studying modern languages meant I could combine all four quite easily.
Languages beyond GCSE suddenly meant more than vocabulary lists, grammar, food, and trips. It meant studying literature, history, politics, philosophy, culture. I did as eclectic a mix of these as possible when studying French and German (and a little bit of Dutch) at Cambridge, where I met all kinds of interesting people and also got to spend three incredible summers teaching English at a summer school in rural former East Germany (Sommerschule Wust– see the recent OGN blog post). I spent my year abroad in Vienna, where besides eating cake, I also studied Swedish and History at the university there.
Having specialised in German, I then spent a year in French-speaking Switzerland, teaching English in several rural secondary schools. I was living just half an hour from German-speaking cantons, however, so I got very good at switching between two languages and also picked up some Swiss German. After that I did a Master’s degree in modern languages at Oxford where I got to use my French and German for research, including handling books first published in the eighteenth century.
Eventually I decided classrooms were way more fun than libraries as I spent part of my time as Master’s student helping out at a local secondary school once a week. So I stayed on at university to do a PGCE (just one of many routes into teaching), which made me think hard about how people actually learn languages and how to inspire the next generation of linguists. I now teach both French and German at a state secondary school, where I get to use both my languages every day, where I am never, ever bored, and where I get to pass on my love of all things Deutsch and français.
I didn’t take the what are perhaps the stereotypically expected paths of a language graduate when I left university (I studied History & German at Sheffield University) – neither teaching nor translation work really appealed to me. After an MA in Creative Industries in London, I worked my way through a stint as a researcher for a legal directory and somehow a job or so later found myself working as a B2B conference producer – first in IT and then aviation engineering. But the door to this career was opened by my degree in German. Despite English being the lingua franca of most industries, many events are still conducted in the local language and I started with a focus on DACH-area events [DACH = Germany (D), Austria (A), Switzerland (CH)]. This has led to a career that takes me on trips to various corners of the world each year – and while I may not be using my German on a daily basis, the stereotype of the German engineer is not dead and I have plenty of opportunities to practise.
Many thanks to all of the contributors to this series of blog posts. Have you recently graduated with a degree in German or you took German as part of your degree? Or did you learn German later? Tell us about why you studied German and where it has taken you now – we’d love to hear from you! Comment below or email the OGN team!
Thinking about studying German at university? Already a Germanist and wondering where your degree might take you? Last week we heard from two recent graduates – this week we find out from two more graduates about the importance of German and languages in what they have done after finishing their degrees.
Studying German at Oxford is challenging. There are no two ways about it. Or at least that’s what I found in my four years there. Sometimes I wanted to scream and cry and pull my hair out and quite frankly just pack it in when I just didn’t get it. But those years were also the best four years of my life where I got to delve into another language’s literature and discover great stories and poems, find new favourite writers (I genuinely still read Rilke’s poetry), and battle (sometimes fruitlessly!) with translations. It might sound corny but my German tutorials were also somewhere I found great friends, where we supported one another through hard times, both academic and otherwise, came out the other side, and are still going strong. I also had the chance to call Berlin my home for six of the most amazing months of my life during my year abroad. Although (sadly) I do not work in a job where I get to use my German, I do work in one where I speak and write French (the other language I toiled away at in Oxford) on a daily basis. Whilst I may not use German in my day to day life, it is my languages degree that got me where I am today. It has made me more confident, more determined and taught me to believe in myself so that I finally (and rather tardily) realised that I actually love studying, just in time to embark on another degree.
Unlike most of the other contributors to this blog, I didn’t take a degree in German. Instead I studied chemistry, though having taken German as one of my A-level subjects and with a longstanding fascination for languages, I made sure to keep developing my knowledge of German during my spare time and I was fortunate to have the option of taking a German paper as part of my Finals. This all came in rather handy when I stayed on for a doctorate and found myself working for a German academic in a field where most of the other leading researchers were also German. Although they (mostly) spoke excellent English and published their work in English, having knowledge of their own native language definitely helped me to win “brownie points” and also made networking at conferences that bit easier!
After my DPhil was over I left academia and qualified as a patent attorney, which is a fascinating crossover between the worlds of science, law, and language. Much of my work involves corresponding with the European Patent Office, which is based in Munich, to argue the merits of my own clients’ patent applications and to defend them against challenges by the Patent Office or by competitors. I also advise my clients about the validity of their own competitors’ patents and file challenges against those at the Patent Office. The three official working languages of the European patent system are English, German, and French and, while it’s not essential, it’s definitely helpful to have a working knowledge of at least two of the three. It’s very common to encounter legal, scientific, or industrial documents written in German and being able to read them without the need for a translation is a real time-saver. As part of my job I also attend oral hearings where the merits of a case are argued in person and, while I will always speak in English, I often find myself up against German attorneys who opt to work in their own native language. To be able to understand their submissions without the need for simultaneous interpretation is a definite advantage.
I should point out that having a science degree is a prerequisite to qualify as a patent attorney. However, my work also brings me into contact with barristers and solicitors specialising in intellectual property, who carry out overlapping or complementary work to my own and who are not required to have a scientific background. The closely related career of a trade mark attorney is also worth considering if you are a language student interested in a legal career and have less of a scientific bent: this is another truly international field of law, in which knowledge of more than one language is a definite asset. In addition to this, many trade mark cases can hinge on an understanding of the impression or meaning that a particular word in one language might convey to a native speaker of another, and so having a good knowledge of phonology and comparative linguistics can be extremely helpful here.
Check out next week’s blog for more insights into the paths German Studies graduates have taken! Have you recently graduated with a degree in German or you took German as part of your studies – or maybe you learned German later in life? Let us know about your experiences and where it has taken you: comment below or send us an email!
The UK-German Connection is an organisation “dedicated to increasing contacts and understanding between young people in the UK and Germany”. As part of its work there is a ‘calendar of opportunities’ throughout the year ranging from ‘Host a German Teacher’ to ‘Magical Christmas Trips’ and of course longer study trips to Germany. Why not take a lot at the list of ‘German Pupil Courses’ here. Ben Bonnici, an A-Level student studying German went on a UK-German Connection trip this summer – here he tells us more.
I found the UK-German Connection trip to Thüringen incredibly useful in helping me improve my German skills, as well as intriguing, as I discovered many interesting cultural quirks during my two week stay.
In my group there were 12 people from all over the UK, including Northern Ireland! We flew to Frankfurt Airport and then drove the remainder of the journey to a small town called Friedrichroda. The town was beautiful, surrounded by verdure and mountains. I stayed with a lovely host family for the duration of the trip, and they were fantastic in the way they completely immersed me in their regional culture. I ate countless types of sausages over the two weeks, but my favourite kind was the Thüringen Bratwurst (which tasted even better with a dash of Senf!).
Every day, I took the bus in to school with my Gastschwester and attended a few hours of German grammar lessons with the group of 10 from the UK. After the morning session, we would then sit in on lessons with our hosts, and it could be any subject. It was quite amusing sitting in on an English lesson, and interesting to see how they taught the language. In the afternoons after eating our packed lunches, that usually consisted of Schwarzbrot sandwiches with all kinds of meat, the UK group would then go on some kind of outing, whether it be visiting a castle, or going to a local primary school to teach English to the children there! My favourite outing was the Erlebnis Bergwerk Merkers, a visit to a salt mine 800m underground, where we got driven around in the endless labyrinth of mining tunnels.
Due to the constant exposure to the language, I found that by the end of the first week, I had started thinking in German, which unsettled me at first, but was also quite amazing. By the end of the second week, my German had improved a lot and I really felt like I had a much deeper understanding and appreciation of both the language and the culture of Germany.
I would highly recommend this course to anyone who is currently learning German and would like to further improve their linguistic skills, whilst having a lot of fun and making friends in the process.
So it’s time for your year abroad or you’re moving abroad for your first job. The thought of trying to find somewhere to live in a foreign country – and then also having to grapple with that country’s bureaucracy can be pretty daunting, especially if you’re having to do it on your own. Knowing that you can’t open a bank account or do anything else involving a contract for services until you have registered a local address with the Einwohnermeldeamt or Bürgeramt (citizens’ registration office) only adds to the pressure. So, following on from Francesca’s post earlier this summer, we (OGN Coordinators Madeleine and Nicola!) have got some tips for making the process easier and at least more predictable, if not actually completely stress-free. The experience of finding somewhere to live will vary from place to place and your options will depend on your own situation. So we aren’t going to be able to cover every eventuality or permutation, but we hope these hints and pieces of advice will provide some good general starting points for your search!
Getting started – when and where to look, and what to look for
Now, of course, you may already know people in your destination country, or know people who know people – that’s great! Spread the news of your upcoming move, let them know that you are looking for somewhere to live so that they can ask around as well. Even in the age of the internet – or perhaps most especially in the age of the internet – word of mouth is a valuable tool.
If you’re a student, then the most obvious thing to look at is university accommodation. The Studentenwerk (also more inclusively known as Studierendenwerk) in a university town provides a range of rooms at cheap prices for students, as well as meals, kitchens, laundry, and socialising facilities. As soon as you know that you’ve been accepted by a university, check the incoming international student and staff pages of its website for contact details and the application process.
However, you might prefer a flatshare (Wohngemeinschaft or ‘WG’) or even living on your own, although of course the latter option will be more expensive. This might go without saying, but it is infinitely easier to persuade somebody of your cleanliness, friendliness, reliability, and general viability as a potential housemate or tenant in person. You may well find that any enquiries you make via email while still in your home country fall on deaf ears. Nevertheless, it is advisable to start your search early – if only because it will give you a reasonable idea of what is available, where, and for how much. Try also to balance the desire to have everything organised in advance with having somewhere you’ll be comfortable living for a year – having found a year abroad WG online, OGN Coordinator Nicola had a beautiful fully furnished room, but this came with a whole string of flatmates during the year, including a very large dog called “Kaiser”….
Online listings are plentiful, so here are some sites that we’ve found most useful:
For general searches:
www.immobilienscout24.de – one of the most popular sites and also with sister sites for Austria and Switzerland (change .de to .at or .ch
Demand in some cities (e.g. Munich, Stuttgart, Vienna) is exceptionally high, so be prepared to send a lot of enquiries and not get very many responses in return. Decide what requirements you have (location, rent range, amenities in the area, etc.), but be prepared to be flexible.
Do also check listings in local newspapers (many will also have an online presence). Many will simply contain listings already advertised on the main online search sites, but are worth checking nonetheless.
It isn’t always possible to find somewhere to live before you’ve arrived in your destination country. If it looks like you’re going to find yourself without a home when you arrive, plan ahead and set up temporary accommodation for yourself so you have a place to lay your head while you hit the internet and the streets hard in your ongoing search. OGN Coordinator Madeleine spent six weeks in places varying from a hostel dorm to an Airbnb sublet before she found a flat to move into when she recently moved to Germany. Or maybe you’re only going to be in the country for a relatively short period anyway. Fortunately, there are plenty of inexpensive options for finding temporary accommodation in addition to the usual youth hostels, youth hotels, and couchsurfing.
Student dormitories may hire out rooms during vacation periods for short lets. Check university pages and the Studentenwerke.
Kolpinghäuser. There are a few hundred of these organisations spread throughout Germany, Austria and Switzerland. Originally set up by the Catholic Church to cater for the needs of apprentices, they are open to all regardless of religious or political affiliation. In addition to providing support and accommodation to young trainees and apprentices, many also offer short-term accommodation at reasonable prices to all comers.
Airbnb is now widely used in Germany, Austria and Switzerland and can offer options for stays of a few nights to a few months. Airbnb lists subletting options (Zwischenmiete), and many similar Zwischenmiete listings can be found on the other flat-hunt sites, as well. One of the benefits here is that many of the additional costs of renting (heating, electricity, etc.), will be covered in the fee for your stay.
(Online) safety first!
Although most adverts will be from genuine landlords and tenants, online accommodation search sites are a perfect hunting ground for scam artists, many of whom are operating outside Germany, so be vigilant at all times. Good accommodation search sites do monitor for hoaxes, but may not be able to react fast enough to remove suspect adverts.
If an offer seems too good to be true, then you’ll probably be best advised to give it a wide berth. Poor German or English in their written communication is often a good indication of a scam, but is by no means a certain identifier.
Under no circumstances comply with any requests to pay money as a deposit or rent through a third party or if you are not given bank details (e.g. scams frequently use Western Union and similar money transfer services). Make sure you have met your landlord, viewed the room or flat (or asked a trusted friend to do this on your behalf) and signed a valid contract before you hand over any money. The reverse is equally true: landlords in Germany, Austria, and Switzerland generally won’t make contracts with people they haven’t met and whom they know nothing about. So although you should never give out any personal information (the same naturally applies to any copies of your passport and your bank information), being able to name an institution or official person to whom they can turn for more information or a reference may be useful.
Hoax landlords often claim to live abroad and that it is impossible for them to come to the country of their property (Madeleine saw a lot of versions of this story – frequently using almost identical phrasing and layout, the difference between them was often only in the quality of the English or German!). Note that genuine landlords living abroad would usually have an official agent working on their behalf. So keys should not be sent in the post to you, but should be given to you in person by the agent on behalf of the landlord.
This week, ahead of the third OGN reading group, Karolina Watroba thinks about how to tackle one of the most famous German writers of the early twentieth-century: Franz Kafka.
Franz Kafka is probably the most famous German-language writer, and he has certainly been one of the most influential authors of world literature in the twentieth century. His unique style has even given rise to a brand new adjective, ‘kafkaesque’ – so if having one’s name turned into a common word is anything to go by, Kafka has really become an inseparable element of our culture. It might seem overwhelming to actually have a go at reading something written by a literary legend like Kafka, which is why I want to share five ideas for how you can start reading him!
1. Translations of famous opening lines – different every time!
The first of Kafka’s texts I read in German, and in fact one of the very first pieces of literature written in German that I decided to tackle in the original language, was a novella called ‘Die Verwandlung’ – ‘The Metamorphosis’. It later turned out that I would study this story in my first year at Oxford – it is one of the prose set texts for first-year students here. ‘Die Verwandlung’ was originally published in 1915, and it begins with one of the most famous opening sentences in the history of literature:
‘Als Gregor Samsa eines Morgens aus unruhigen Träumen erwachte, fand er sich in seinem Bett zu einem ungeheuren Ungeziefer verwandelt.’
In Ian Johnston’s translation: ‘One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that in his bed, he had been changed into a monstrous verminous bug.’
You’ll find eight other English translations of the opening sentence to compare in this fun article from The Guardian. Kafka’s works are in the public domain, so you can find them online for free. Check out this bilingual edition of ‘Die Verwandlung’.
2. Expect the unexpected!
Perhaps the best-known, and the most influential of Kafka’s texts, is his unfinished novel Der Prozess – The Trial. He wrote it at about the same time as ‘Die Verwandlung’, but it wasn’t published until 1925, a year after his death, when his lifelong friend, Max Brod, decided to go against Kafka’s will and start publishing his hitherto unpublished texts, rather than burning them. Der Prozess boasts another unforgettable opening sentence:
‘Jemand mußte Josef K. verleumdet haben, denn ohne daß er etwas Böses getan hätte, wurde er eines Morgens verhaftet.’
In John Williams’s translation: ‘Someone must have been spreading slander about Josef K., for one morning he was arrested, though he had done nothing wrong.’
Even in this opening sentence, it is already evident that, in many ways, Der Prozess is written like a detective story. So if you like suspense and investigations, you’ll find Der Prozess very interesting – partly because it reverses the conventions of this genre and constantly challenges your expectations of it.
3. Short forms for the short of time
If both ‘Die Verwandlung’ and Der Prozess seem too long to start with, why don’t you try one of Kafka’s many shorter pieces? He wrote numerous little texts that range in length from just one line to one or two pages. Those published during his lifetime are conveniently collected in one volume, Ein Landarzt und andere Drucke zu Lebzeiten (Frankfurt am Main: Fischer Taschenbuch Verlag, 1994). There you’ll find such little gems as ‘Wunsch, Indianer zu werden’, or ‘Der neue Advokat’, as well as ‘Die Sorge des Hausvaters’, which will be the text for our reading group next week. These texts are very brief (‘Wunsch, Indianer zu werden’ is just one sentence, six lines!), but also incredibly intriguing – and simply unlike anything you’ve ever read.
4. Get an introduction to the critical debates
While having a go at reading Kafka is definitely the best way to get to know his works, at some point you might feel like having a look at some secondary literature on him. A great starting point would be Kafka: A Very Short Introduction (Oxford: OUP, 2004), written by Oxford’s own Ritchie Robertson. This little book is accessible and thought-provoking, which makes it an ideal place to start exploring broader themes and concerns running throughout Kafka’s work.
5. Get an introduction to the critical debates (Teil 2!)
Another place to go if you’d like to discover new ways to approach Kafka, is a series of documentaries and drama called In the Shadow of Kafka, produced by BBC Radio 3 in May 2015. You’ll hear there, among others, German poetry expert Karen Leeder talking about meaning and communication in Kafka’s works, or Margaret Atwood – a famous Canadian writer – reflecting on what Kafka’s texts have meant to her since she was a teenager.
I hope that this post has given you plenty of ideas about how to approach Kafka yourself. Go explore!
The Oxford Research Centre in the Humanities’ Multilingual Drama project is now up and running! Supported by the Arts and Humanities Research Council the project is supervised by Oxford German Network director Katrin Kohl and planned, conducted, and evaluated by me, Ben Schaper.
The project is designed to enhance knowledge exchange between the University and its wider cultural context and provide an educational opportunity for young people interested in drama and languages. The project is based on the belief that drama provides a valuable educational medium in itself and that it interconnects excitingly with multilingualism, opening up spaces for articulating personal identity in new ways and providing an opportunity to experiment with language skills in stimulating ways.
The project aims to develop closer ties with local Oxfordshire schools, link them with local cultural institutions – especially theatres and arts centres – and provide a case study collaborative project for engagement between researchers, teachers, and performers.
So far we have established close ties with both the Oxford Playhouse and the North Wall Theatre. We are particularly pleased that both have also offered collaborations in the future so that the project will have a sustainable impact beyond its four month timeframe. The schools’ projects are shaping up very nicely. Most excitingly, a huge majority of schools are keen to produce their own adaptations or even completely original scripts. The variety of ideas goes from adapting Grimms’ fairytales to writing and workshopping narratives such as a travel idea that will enable the pupils to integrate as many languages as possible. At the moment we have at least six different languages involved and are still working on the fantastic prospect of involving some non-taught community languages.
At the end of April the first of two planned workshops will be held at the Oxford Playhouse. The Playhouse’s Participation Programme Leader Mezze Eade will provide the teachers with practical skills to teach theatre with a special focus on language acquisition. The second workshop will be held at the Playhouse in a month’s time and will get the teachers together to reflect on the process and give us a push for the last weeks until the final performances in June. We are aiming to create print as well as audio-visual materials that can be used in the future, and will be made available online.
The existing basis of the OGN proved very useful for getting this project going quickly and efficiently: of the eleven participating schools ten are OGN regulars from both the state and independent sector. Furthermore, we are very happy to have won the passionate and ambitious teachers from the Europa School in Culham as additional participants in the project.
Ben Schaper, OGN Graduate Assistant
If you want to find out more about the project and getting involved, you can contact Ben via email: email@example.com
This is a guest post by our PhD researcher, OGP coordinator Heike Bruton, who is investigating motivation for German learning. You’ll know her as the author of our ‘Joining up German teaching in the UK’ newsletters, top tips, events and resources from the world of German teaching (to sign up for the newsletter click here; to see past newsletter editions click here).
German is like a mushroom
The year is 1994. In a comprehensive school on the outskirts of London, a newly qualified German teacher takes up her first job. She’s brimming with plans and enthusiasm, and she’s looking forward to her many questions being answered. How do students in this country feel about learning German? What makes some people here just take to all things German, and what’s the best way to share the love?
That teacher is me. Two decades later I’ve taught countless numbers of students in a wide range of set-ups, and my questions haven’t really been answered, in fact, I’ve got even more now. People will usually be quick to tell you why German just doesn’t seem to be popular any more: at school level because of its competition with ‘easier’, ‘more useful’ or ‘more fun’ languages, and for the wider picture due to negative media coverage, overshadowed by the sinister past and/or fearmongering around EU issues. But is this really true? One way to find out would be to study press representations of German, and to talk to the people who deal with this every day: students, German teachers, and head teachers. And this is why twenty-odd years after my NQT year I find myself walking the corridors of my very first school again, this time as a student myself, on a mission to get to grips with this slippery thing that’s a major part of me: German in the UK.
Memories flood back. The Language office is now shared with the PE department, but apart from that, things seem the same. A pile of orange exercise books on a desk, decorated in yellow, black, red, blue and white: a happy melange of French, German and Spanish flags. Back in the day, at this same school I had asked a student to please explain the red, black and white motif he’d taken care great care over on his ‘Heft’ cover. He looked at me as if I was stupid. “It’s the German flag, Miss!” Only it wasn’t. It was a swastika. There was work to do here, and I did my best to help do it. What I’d really like to know is: has anything changed?
If German was a food, it would be toast. Or a mushroom, or a chocolate orange, or a beer-flavoured sausage with a chilli centre and a peeling black outer plastic bit. I was floored by some of the learners’ answers. At a closer look, it all makes sense: German is like toast because “it isn’t the most fancy food but is always dependable and goes well with many other things”. Of course! The metaphor tasks on my questionnaire seem to be helpful for drawing learners’ conceptualisations of German. Now all I need to do is evaluate all of this and bring it together with what teachers and head teachers say, and of course with the wider press discourse around German, done.
If you suspect there’s a bit more to it, you’d be right. But, in a nutshell, that’s it… or should that be a coconut shell…, because my questionnaires say German is like a coconut… I’m getting carried away, so time for a break now, but just one more, for the road: “German is like a pineapple”. If nothing else, German has gone exotic, and to that, let’s raise a pina colada. Prost!
Curious why German might be like mushroom?! To find out, and to learn about what motivated key stage 3 learners to choose German for GCSE, watch this short video.
Taking part in a German exchange is a fantastic way to experience everyday life in one of the German-speaking countries, and of course to put the language skills learnt in the classroom into practice. Mukahang Limbu (pictured), a Year 10 pupil studying German at Oxford Spires Academy tells us more about the school’s exchange with the Herman-Staudinger-Gymnasium in Erlenbach near Aschaffenburg, Germany.
In October Miss Constantine and Mr Fanchi took nine students from Years 10 and 11 to stay with German families by themselves and make friends with their German exchange partners. It was a very valuable experience for the students as they were able not only to improve their German dramatically, but also immerse themselves into the family life of their exchange partners and rely on themselves completely. As a result these students came back to England one head taller and rightly so.
The group visited the town close by – Aschaffenburg – where they learnt about the history of the place and they took part in lots of activities like bowling, pool, cooking and having a meal out together. Each family arranged individual activities with the students so that every one of them has a different story to tell. They also visited the school and took part in lessons. The exchange took place over 4 days, which as it turns out, was much too short, as all students wanted to stay longer. Maybe next year we can extend the exchange! We are already really looking forward to having the German students stay with us in June 2016.
The most rewarding aspect for me would have to be, that I was able to use my own previous knowledge of the language to communicate and forge new relationships; this gave me a chance to not only utilise what I have already learned, in real-life situations, but also allowed me to expand my ability, by learning from our student exchange partners. You cannot hope to learn a language, without applying it in practice! To truly learn a language, a person must experience the culture and diversity that comes with the ‘foreign tongue’, and only when that happens, is a person’s ears truly open to all the flavour of the sounds, the frequency of the tones, and the richness in the dialogue, which as a result causes us to learn and understand more than before, because the more we hear, the more we get accustomed to the riffs and tunes, and so the less ‘foreign’ the language becomes!
Charlie Parker, also in Year 10, said: ‘The German exchange was fun and very interesting. I had great fun learning what they do on a daily basis compared to us in England. I would recommend it to everyone and I wish we could have been there longer.’
For me and perhaps many of you too, Brigitte is a magazine hastily grabbed at an airport or train station to flick through during a trip to Germany. It is glossy, glamorous without being aloof, and genuinely seems interested in the lives of its readers – with sister publications targetting a variety of groups and age ranges: from Brigitte Young Miss to Brigitte MOM and Brigitte Balance to the only recently launched Brigitte Wir. According to recent statistics Brigitte is the overall market leader amongst quality fortnightlies for women in Germany. That’s no mean feat in an increasingly saturated marketplace. But what does this have to do with ‘History of the Book’? – Surely Brigitte, as a modern magazine, has no place in a field which traditionally focuses on manuscripts and marginalia?
Absolutely not! As part of a recent project I have been studying advice texts for women from the seventeenth century to the present – with ‘the present’ represented by Brigitte, in particular its online version. The other texts in my study are Georg Philipp Harsdörffer’s Frauenzimmer Gesprächspiele (1641-9); Johann Christoph Gottsched’s Die vernünftigen Tadlerinnen (1725-6) and Sophie von La Roche’s Pomona (1783-4). But for now, let’s focus on Brigitte. Despite its apparent modernity, Brigitte’s success is an enduring phenomenon, stretching back into the nineteenth century.
The magazine now called Brigitte began life as the weekly Dies Blatt gehört der Hausfrau in 1886. The early magazine featured serialised novels, poems, advice about the home, garden and health, alongside travel tips, historical and scientific articles, and even sewing patterns. By 1894 the print run had reached 85,000. From 1952 “Blatt der Hausfrau” was prefixed with “Brigitte” and finally in May 1954 the title became simply Brigitte. By 1954 it appeared fortnightly, cost 65 Pfennig and around 177,000 copies were sold per issue, reaching 970,000 women.
And since then the magazine seems to have gone from strength to strength, developing spin-offs focussing on different age groups or hobbies, and putting increasing emphasis on digital content. For my project, which focussed in particular on the relationship between author and audience, Brigitte’s ‘Stimmen’ campaign really struck a chord. ‘Stimmen’ presents real articles written by real women. This is articulated in the slogan “Hier kommt ihr zu Wort!” Brigitte is currently searching for its next round of readers turned writers to share their “starke Stimmen”. The 200 or so Stimmen originally published display exactly this range in topic and tone. Apart from a very few where a cartoon image is used, each article is accompanied by a real photograph and short biography. Some tell very personal stories, such as “Ich trage kein Kopftuch mehr” or “Ich bin eine Transfrau”, while others engage with controversial issues and adopt the tone of an editorial or comment piece, for example “Warum ich gegen die Frauenquote bin”, “Helikopter-Eltern: Warum ihre Kinder später ein Problem haben” and “Frauen, ihr wollt mehr verdienen? Dann geht hin und fragt!”
In the context of my study, this campaign marks an interesting progression from early advice texts for women, which, since the seventeenth century, gradually attempted to build a relationship with their readers, whether through presenting female figures, projecting fictional female narrators, or encouraging readers to write in with their own contributions.
So on your next trip to Germany, as you grab a copy of Brigitte to read on your travels, you’ll know that there’s a lot more to this polished publication than meets the eye, and perhaps, if you take a look online you’ll encounter some ‘Stimmen’ that chime with your own experiences.
Welcome to the Oxford German Network blog! We’re Zoë and Imran, and we’re both first year students of German in Oxford. In this blog we and other Student Ambassadors for the Oxford German Network are looking forward to sharing some of our enthusiasm for the German language and culture as well as communicating with people who are interested in German, particularly prospective German students, in a relaxed and informal way. Hopefully we can give you an insight into what it’s like to study German at university, get stuck in to German, Austrian and Swiss culture, and encourage you to develop your Germanic interests.
I started learning German in Year 7 – I remember my favourite lessons were those when our teacher brought in German food for us: Lebkuchen, Stollen, that kind of thing. Then, in Year 10, I went on a German exchange, which was so much fun. There was even more food – Dampfnudeln, Marmorkuchen and the incredible Eierlikör – and we visited some beautiful towns – Heidelberg, Speyer, Karlsruhe… I knew that I definitely wanted to visit Germany again in the future, but it was only when I was in Sixth Form that I considered doing German at degree level. And here I am! So far the course has been challenging, but I am so glad that I chose German – I have learnt so much already, from studying plays such as Georg Kaiser’s ‘Von morgens bis mitternachts’, to films, to medieval German literature (in our most recent medieval class we had Glühwein, which was pretty exciting). Of particular interest to me is the way in which the style of writing has changed over time, and also how you can learn a lot about contemporary society from the literature of the past and present.
On top of a general interest in language learning, I chose to study German because of the huge range of fields that a degree in German covers – so far this year we’ve already covered a vast array of topics, from film to medieval studies. It’s been brilliant to discuss all sorts of things in tutorials – politics, gender, spiritual regeneration… The list goes on! This term we’ve been focusing on four German plays for our tutorials and as the main basis for our translations from German into English. There are aspects of all four of the plays that you might miss the first time round, but which you really start to notice when re-reading and focusing on individual extracts of each work. Through studying the plays I’ve really come to appreciate theatre a lot more, and especially the immense amount of thought behind each work; you really do come to realise the extreme intelligence behind writing. Once more, it is the versatility of the literature that has appealed to me. Literature can be studied in its own right and as a fantastic source for other aspects of study, such as the portrayal of past societies, which has been particularly striking to me.
Thanks for reading, and we’re looking forward to telling you more about our experiences of studying and of our involvement with Oxford German Network events as the year goes on!